Dracula Untold (2014) [Blu-ray]
Action | Drama | Fantasy | Horror | War
Tagline: Every Bloodline Has a Beginning
Witness the origin story of one of legend's most captivating figures in the action-adventure, Dracula Untold. The year is 1462 and Transylvania has enjoyed a prolonged period of peace under the just and fair rule of the battle-weary Vlad III (Luke Evans,
Fast & Furious 6, The Hobbit series), the prince of Wallachia. But when Sultan Mehmed II (Dominic Cooper, Captain America: The First Avenger) demands 1,000 of Wallachia's boys - including Vlad's own son - become child soldiers in his army, Vlad must enter
into a Faustian bargain to save his family and his people. He gains the strength of 100 men, the speed of a falling star, and the power to crush his enemies. In exchange, he's inflicted with an insatiable thirst for human blood that could force him into a
life of darkness and destroy all that he holds dear.
Storyline: At the turn of the century, the young lord Vlad and his family live a peaceful life ruling over their small kingdom, but when a Turk warlord demands from Vlad a thousand boys and his son to create an army Vlad seeks a
terrible power that will allow him to protect his kingdom and family from the Turks at a terrible cost. Written by Blue_EagleUK
Reviewer's Note: Reviewed by Kenneth Brown, February 1, 2015 -- At the forty-minute mark, I was fully prepared to deliver a spirited defense of Dracula Untold, conceding it was perhaps a guilty pleasure but admitting I was
taken by director Gary Shore and screenwriters Burk Sharpless and Matt Sazama's stab at resurrecting a horror icon. There were flaws, oh yes. But there was also something else, stirring deep within the shadows of the film's potential: a spark of invention
and reinvention, ready to burst into flame. But that was prior to the forty-minute mark. By the time an hour had passed, I began to understand the negative buzz that preceded the Dracula reimagining and soon found myself shaking my head in dismay.
By the time the credits were creeping up the screen, Dracula Untold had come undone, desperate to launch an action-packed, comicbook-style franchise only to lose its soul to glaring plot holes, strange leaps in logic and gaps in the story, a not so
healthy dose of unintended camp, and a lazily conceived third act. Dracula Untold might not be as bad as you've heard, but it isn't much better either.
Witness the origin story of one of legend's most captivating figures. The year is 1462 and Transylvania has enjoyed a prolonged period of peace under the just and fair rule of the battle-weary Vlad III (Luke Evans), the prince of Wallachia. But when
Sultan Mehmed II (Dominic Cooper) demands 1,000 of Wallachia's boys serve in his army, among them Vlad's own son (Art Parkinson), the dark prince must enter into a Faustian bargain with an ancient evil (Charles Dance) to save his family and his people. He
gains the strength of a hundred men, the speed of a falling star, and the power to crush his enemies. In exchange, he's inflicted with an insatiable thirst for human blood that could force him into a life of darkness and destroy all that he holds dear.
Evans is earnest and invested, more so than Dracula Untold probably deserves, and there's a seriousness to Shore's approach that borders on reverence. All well and good were it not for the film's slow, disappointing descent into cheesy showdowns,
heavy-handed melodrama and FX-laden silliness. While Vlad's story initially focuses on obsession, temptation, and a smartly constructed, deviously unfurled dance with the devil, it ultimately devolves into a tiresome exercise in watching Luke Evans smash
legions of CG soldiers with giant CG fists made of bats. Even when the film reaches its climactic endgame -- the final battle between Dracula and his childhood friend-turned-bloodthirsty enemy, Mehmed II -- pain and betrayal is replaced with a
laugh-out-loud fight to the death in a tent filled with thousands of silver coins; coins that not only burn Dracula, but essentially function as Kryptonite to Vlad's Superman.
It's in this slippery, poorly implemented slide into comicbook territory that Dracula Untold loses its power. Without a Marvel, DC or Dark Horse through which to build a shared universe of heroes and villains, Universal came up with the bright idea
to reimagine its horror icons as super-powered antiheroes, eventually drawn together in an Avengers-style team-up after being introduced in individual films. Not a terrible idea, but certainly one that has its share of challenges, creative or
otherwise. Dracula Untold is the first entry in what's meant to be a sprawling series, but one that's built on a miscalculation. Rather than devote its every effort to making an excellent standalone action-horror epic with a few small stepping
stones towards a larger franchise -- think Marvel and the original Iron Man -- the studio is more interested in looking ahead to what will come later if Untold drums up a pretty enough profit. The result is not only an origin tale beholden
to a larger canvas, it's an adventure mired in the difficulties inherent to repurposing monsters as misunderstood superheroes. There are hints that Vlad is already a monster, references to his past sins and the sociopathic coldness with which he
slaughtered his enemies. But far more time is committed to showing just how noble, honorable and well-intentioned our baddie with a heart of gold truly is. Where's the bite?
Adding to the growing complications is a 90-minute runtime that's at least a half-hour too short. The first forty minutes are quite wonderfully paced; suspenseful, deliberate and fairly effective. By the hour mark, though, the clock is running down,
leaving Shore with little choice but to scramble through an uneven second act and lunge headlong into a spiraling third. In one particularly jarring scene that appears as if from nowhere, Vlad, still a celebrated prince, is attacked after a priest makes a
single private accusation and a ray of sunlight scorches Dracula's skin; something no one outside of Vlad's tent could have possibly seen. His once faithful subjects instantly transform into a frenzied mob that try to burn its beloved leader alive,
not because the film has earned this tragic turn of events with all the appropriate character-driven groundwork, but because Sazama and Sharpless need to move the story along and accelerate the narrative. The last thirty minutes of Dracula Untold
feels as if a dozen or more scenes have been left on the cutting room floor, with the filmmakers hurrying to the action rather than allowing things to unfold organically. It's as if someone in the audience barked "boooorrrr-iiiiing!" during a test
screening and sent everyone behind the scenes scurrying to accommodate.
The real tragedy? Dracula Untold comes so close to pulling it off, yet falls oh so short of success. Had the studio and filmmakers placed more faith in the intelligence and patience of moviegoers, taken more time to develop the story and characters
over the course of the entire film, and relied less on CG showstoppers and more on good ol' fashioned conflict, suspense and drama (not that action had to be forsaken), the first entry in Universal's Avengers of Horror would have been a more
stirring introduction to the shared universe and monstrous antiheroes of Dracula's world. With a sequel already in the works, here's hoping Universal takes a closer look at Marvel's many impressive achievements (since it's Marvel's path the studio is
following) and devises a more sophisticated plan that prioritizes the men and monsters behind horror's greatest icons rather than the new incarnations' flashy super powers and abilities.
Dracula Untold is a tale of two films; the first far better than the second, which begins to emerge after the forty-minute mark. The first is far from perfect, but it embraces its premise with enthusiasm, cleverness and care. The second stumbles
and eventually falls, failing to capitalize on the potential laid out in the film's early chapters. Universal's Blu-ray release improves matters, though, thanks to an excellent video presentation, effective DTS-HD Master Audio 5.1 surround track, and
generous (albeit somewhat unsatisfying) spread of special features. Dracula Untold could have been much more, yes, but it isn't a complete misfire. There's enough here to warrant a look, if only to prepare for what will hopefully be much stronger
entries in Universal's shared-universe icons of horror reboot.
[CSW] -2.3- This movie has far too many plot holes. Come on, Vlad knows his three days of vampiric super powers are at peak during the night yet he spends time with his family rather than killing off the enemy. Really? The idea behind this movie seemed
intriguing but it never really panned out. There were some good special effects and some pretty bad ones. The pacing was ridiculous and overall the movie seemed incomplete. I can only recommend this to folks who need to see every last Dracula movie.
[V4.5-A4.5] MPEG-4 AVC - D-Box 10/10.
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